Mumford & Sons Le Poisson Rouge 04/07/15

My son and I ventured into downtown Manhattan to catch Mumfird & Sons play at Le Poisson Rouge located on Bleeker Street. The invite said doors at 7 show at 9 and I expected a line down the block to get in. We really had not planned to try and arrive early but we hit no traffic, found a parking space around the corner with no trouble, and found ourselves inside the lower level of the building shortly after 7. Surprisingly there were only a few people milling around inside so we planted ourselves about 15 feet from the stage dead center and settled in for the show.

Le Poisson Rouge is dimly lit and has a club feel; the venue is intimate to say the least as it seemed to me to be about half the size of the Bowery Ballroom with no balcony. The website says the venue holds 700 standing and from the stage to the back bar was still a great view and very close to the stage.

The band had requested that no cell phones be allowed in the club since they were trying out the “Wilder Mind” material in front of live audiences and, except for one song, the new material had not been released yet. It was actually a pleasure not to be surrounded by people texting and taking video throughout the performance. Other bands should take note; the crowd was fully engaged in the moment and actually conversing with each other (many of the twenty something year olds in the crowd did not even know what time it was without their phones which had been secured at the door for safekeeping).

My wife and son are huge Mumford & Sons fans while I have been just a casual observer of the band to this point. Marcus Mumford clearly gets the lion’s share of the attention and credit for the group’s incredible success thus far, however, Mumford  & Sons is truly a BAND; with this new material they clearly intend to get their rock star on. The new music is a combination of hard rock, atmospheric, almost Peter Gabriel like interludes, punk rock, Clash-like bravado. and classic, but heavy, Mumford & Sons music, 

The new music rocked and the hour long show of new music was awesome. Marcus Mumford wearing a plain black T shirt and sipping what appeared to be Guinness beer throughout the show did his best rock star moves while bringing his distinctive vocal talents to the “Wilder Mind” materusl. 

Mumfird & Sons embarks on their Gentlemen of the Road Stopover festivals starting on June 5th and 6th in Seaside Heights New Jersey. If last night’s warm up is any indication, the band is primed for an auspicious summer.

The Wolf

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GQ

Glennsworldofrock.com

I am still trying to navigate this blogging/internet world we live in but if anyone out there is actually checking in once in awhile, my darling daughter has helped me set up a website to document my exploits. Last night my son and I attended a special club show by Mumford & Sons in Manhattan where they played the new “electric” music before taking it on the festival circuit.

Wilder Mind

Rocks

GQ

Mumford & Sons Le Poisson Rouge Tonight

I have been hoping that Mumford & Sons will play the Newport Folk Festival this summer when the second “surprise” New York City concert this week was announced in support of the band’s “electric” release “Wilder Mind”. I am happy to say that I managed to purchase a pair of the extremely reasonably priced ducats for tonight’s special event as the show sold out in a matter of minutes as expected.

Le Poisson Rouge is a relatively new space; an intimate club that can accommodate 700 standing and I have never been to before. This should make for a very interesting evening.

Check your cell phone at the door.

Tomkins Square Park

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GQ

Blonde/Nick Lowe Dr Pepper Concerts/Central Park 7/2/79

In 1979 I had not yet ventured into the rock club scene therefore my first exposure to the live punk rock/New Wave explosion took place at the Central Park Concert series.

Nick Lowe’s “Labour  of Lust” album was released at a time when Elvis Costello, Rockpile and Dave Edmunds were making great strides into the American music scene. Lowe has a knack for the catchy tune and the single “Cruel to be Kind” was a moderate radio hit that, once you hear it, will be bouncing around your head for the rest of the day.

BLONDIE IS A BAND, led by Debbie Harry, that had tremendous success in the 1970’s and early 1980’s. The band’s third album “Parallel Lines” contained the huge radio hits “One Way or the Other” and  “Heart of Glass” propelling the band to superstar status in short order.

Debbie (now Deborah) Harry is performing at the Cafe Carlyle in New York City now through April 4, 2015.

The Tide Is High

Rapture

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GQ

Stephen Stills/Orleans Dr Pepper Concerts/Central Park 7/2/79

Orleans released a number of huge radio friendly songs in the 1970’s- “Dance with Me” and “Still the One” being two of the biggest hits.

The great road warrior Stephen Stills has had an extraordinary career. In addition to his expansive solo works, Stills has played with Buffalo Springfield, Manassas, Crosby, Stills, Nash, CSNY, Stills Young Band and (most recently) The Rides.

While he has been a prolific songwriter who has received numerous accolades throught the years, in my opinion, Stephen Stills has never quite gotten the credit that he deserves for his guitar play. Just ask Stephen’s great friend, “brother”, and guitar foil, Neil Young who sings his praises at every opportunity.

Stephen Stills has got soul.

Long May You Run

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GQ

Yes- June, 1979

Nassau Coliseum 

June 12, 1979

Madison Square Garden 

June 13,  June 14,  June 15, 1979

New Haven Coliseum 

June 16,  June 17, 1979

Springfield Civic Center 

June 18, 1979

The Spectrum, Philadelphia 

June 22, 1979

Yes in the Round. 

Eight shows in 11 days.

Steve, Joe and I went on a rock and roll road trip completely emersing ourselves in the Yes experience.

We attended so many shows in the front orchestra during that particular tour that Steve Howe’s guitar tech Claude gave us backstage passes for Springfield, Massachusetts. 

That day in Springfield we had time to kill so we arrived at the arena early enough in the afternoon to , by complete chance, catch the band rehearsing  “Arriving U.F.O.”  

We heard Yes playing and made our way to the one spot In the arena lobby where we actually had a view of the band, in their “civilian” clothes, playing a song they never did play in concert during this stretch of the tour. We were hooting and hollering enough to alert security that we were there and to be asked to leave. This was Rock and Roll fun and hijinks at its innocent best.

I never did confirm this, but I believe Howe’s guitar tech may have been “Funky Claude” from Deep Purple’s “Smoke on the Water” (whether this is true or not I have no idea but it makes for a nice anecdote).

While backstage in Springfield I got a little caught up in the moment and with youthful exuberance I walked up to drummer Alan White who was in a conversation with an older well to do couple. I clearly interrupted them and with absolutely nothing to say except for something like “I saw you guys play last night” the perplexed White went back to his earlier conversation.

The 1979 Yes tour was a whirlwind of music and teenage adventure.

On the Silent Wings of Freedom

Rock on

GQ

Rock and Roll Music: NYC Concerts, Music & Shows