I have to say that I was shocked by the sold out crowd at the Madison Square Garden show last night for Hall & Oates, Squeeze and KT Tunstall. I would have bet that the venue would have been a third unsold with cheap tickets on the secondary market but I was wrong. I missed KT’’s very early and brief half hour set that ended at 730 PM and as quick as she left the stage Squeeze came on playing hit after hit in rapid succession to the delight of a very happy Friday night crowd. There was bad dancing in the seats everywhere but no one seemed to mind as the audience reveled in seeing a tight, really good line up playing the staples of WLIR radio back in the glory days of New Wave rock and roll. I had seen Squeeze a number of times and I vaguely remember seeing them open for Elvis Costello in their younger days. Standing ovations for an opening act are rare but Squeeze squeezed out a couple well deserved ones under Friday night lights.

Hall & Oates is the answer to the trivia question who had the most number one hits in the eighties. For those of us old enough to remember, the duo owned the radio air waves for many years and while the Rock and Roll Hall of Famers rarely get critical acclaim, there tunes have held up and have seemingly resonated with younger audiences in recent years much like Billy Joel has. If you sit still long enough what was old becomes new again. A somewhat giddy Darryl Hall with partner John Oates, who unsurpringly claims to have slept with a thousand women, seemed to revel in the Garden adulation as they ran through a seemingly endless number of radio friendly hits that the crowd sang along to frequently allowing Hall to jump in and around the choruses much to his and the fans’ delight. The sound was great, the seats were filled and everyone seemed to have gotten their monies worth. This tour continues through the summer. I attended the Hall & Oates/ Tears for Fears show at the open air Forest Hills Tennis Stadium a couple of years back and had a blast then also. For a fun, happy night out, grab your Hall & Oates Rock snd Soul CDs out for a spin, listen to East Side Story, and go see these acts out on the road at your local shed; you will not be disappointed.

Kool for Kats

Tempted?

Rock on!

GQ

In a half full NYC Town Hall on a February Sunday night, the eightieth anniversary of Woody Guhrie’s “This Land is My Land” was celebrated by an eclectic group of folk artists.

Jeff Tweedy of Wilco fame and Woody Guthrie collaborations with Billy Bragg was was an affable “headliner” providing personable banter while performing solo on acoustic guitar. The unannounced Joan Osborne played a couple of tunes with guitar accompaniment and was the true highlight of the evening. Ms. Osborne is a super talented singer who might have reached star status had she been born at a different time but for now can be appreciated in front of intimate audiences at venues like the City Winery where she is a frequent performer.

The Woody Guthrie show was an “OK” evening for those that ventured out on a thankfully mild winter’s night in New York City on a school night; not great or very memorable but “OK”

Schmilco

Folk you

GQ

Summer tours are being announced at a furious pace with even The Rolling Stones heading back out on the road for a 15 date 2020 jaunt. Northwell at Jones Beach Theatre has a phenomenal line up in store if you are a fan of 1970’s classic rock. Rolling Stone magazine recently listed the top albums of the past decade and rock and roll is on life support. Have my hero’s become the Frank Sinatra and Perry Como of our generation while Johnny Matthis and Paul Anka still tour? Elton John just won an Oscar for a mediocre Elton John song from his biopic.

Feel free to discuss.

Life is a Long Song

Long Live Rock!

Rock on!

GQ

My kids gave me the Christmas gift of New Orleans Jazz Fest this April, 2020.

Never been and looking forward to it.

I have been reading the Crosby, Stills, Nash & Young biography written by David Browne. The book is a phenomenal read For any CSN or Y fan and anyone else interested in the mechanisms of the record industry, drug dos and don’ts, and how not to form a rock and Roll supergroup.

I was cleaning out my attic this week and found the Rolling Stone magazine published after Lou Reed’s passing.

Lou Reed has been dead for 7 years?

Time flies so live in the moment;

Cheap Trick performs at the NYCB Theatre at Westbury tomorrow night.

Find the Cost of Freedom

Rock on!

GQ

The Rolling Stones were on a long hiatus and the New Barbarians concert scheduled for Madison Square Garden in May of 1979 was highly anticipated. The band consisted of an all star lineup with Keith Richards and Ronnie Wood on guitars, Faces’ Ian McLagan on keyboards, the legendary Stanley Clarke on bass, Zigaboo Modeliste of The Meters on drums, and the late great Rolling Stones’ Bobby Keys on saxophone. It was a perfect scenario for guest apprearsnces but the rumors of a possible Rolling Stones pseudo-reunion never materialized. The MSG crowd was as amped up as it has ever been and the band did not disappoint, rocking and roling old school. We had managed to make our way down to the orchestra seats and jumped up on the folding metal chairs with new friends in a communal rite. No special guests, but when the lights came up a cloud hung in the air and the folding metal seats on the floor were in various states of mangled, with the orchestra section looking like a war zone as the exhausted crowd began to find the exits. The New Barbarians were a short lived project, however on this night in New York City, they conquered the day, seizing the heavyweight rock and roll crown where Ali once fought Joe Frazier.

It’s Only Rock and Roll

Rock on!

GQ

I was supposed to go to Lynyrd Skynyrd with Bebop Deluxe at The Paladium when I was in freshman year at Holy Cross High School but I got grounded after getting caught skipping classes, but I did finally get to see the original band at the Nassau Coliseum. In a rather odd double bill, Lynyrd Skynyrd toured with labelmate Ted Nugemt who opened on this particular night. They were scheduled to play together again at Madison Square Garden but the unimaginable tragedy that was the Lynyrd Skynyrd plane crash happened. The show did go on but this time with Ted Nugent headlining and AC/DC opening. The greatest memory I have from this show is Angus Young shredding while on top of Bon Scott’s shoulders as they waded through the Madison Square Garden orchestra.

AC/DC had begun to supplant even the Motor City Madman, Ted Nugent, and would not be opening for anyone else for long as they were on their way to the top of the heavy metal mountaintop.

For those about to rock we salute you…..

Rock on!

GQ

Rainbow starring Ritchie Blackmore, most legendary for his days playing lead guitar for Deep Purple, and the late great Ronnie James Dio were headlining a concert at The Paladium, a great theatre in New York City, with openers, up and comers, AC/DC with frontman, the late great Bon Scott. AC/DC performed their heavy metal thunder but the pumped up audience was clearly in attendance to see Rainbow. There was a giant electric rainbow that went the length of the stage and lit up as the band hit the stage. The band led off with the great “ Man on the Silver Mountain” with Ronnie James Dio in all his glory stalking the Paladium stage but halfway through the song the band stopped playing and ultimately left the stage. After a bit of a delay there was an announcement that the concert was being canceled. Apparently Mr. Blackmore heard a buzz coming from one of the speakers and, being the perfectionist that he is, refused to continue the show. A confused, disappointed crowd received full refunds from their place of purchase as the show was never rescheduled, and we basically got to see future legends AC/DC perform as openers in a small venue for free.

Dirty Deeds Done Dirt Cheap

Rock On!

GQ

One of my rock and roll regrets is that I did not get to see David Bowie perform in concert more than I did. Bowie has always been one of my favorite artists right up there with Neil Young, Lou Reed, and The Rolling Stones but for some reason I only saw him twice in concert, once at Giants Stadium promoting the hugely popular “Let’s Dance” album, and this first occasion st Madison Square Garden during the “Station to Station” phase of his career. Other than the fact we had pretty good rear orchestra seats at MSG, I do not recall much about this show except for the enormous white tubular lights that backlit the band. I believe this particular tour became the excellent “Stage” double live album. Somehow when David Bowie was in town on tour there was usually some reason I could not attend; even when David Bowie did a whirlwind set of shows, one in each of the five New York City boroughs. Come to think of it, I believe I may have also seen Bowie on tour with Nine Inch Nails (I’ve got to check the archives on that one) but I absolutely did attend the Bowie exhibit st the Brooklyn Museum, which was a dynamic interactive experience. While museums can be cool, they can also be sort of sad too as the outfits and instruments on display were once living, breathing musical ether.

Spiders from Mars

Blackstar

Rock on!

GQ

Last week there was a furious concert flurry with Dead & Company for the first of two nights at the Nassau Coliseum, Little Steven and the Disciples of Soul with the great Peter Wolf at the Beacon Theatre on Wednesday, Styx at the NYCB Theatre st Westbury, a last minute Friday StubHub bargain with Dwight Yoakam at the NYCB Theatre st Westbury and ending the busy week on Saturday with Paul Anka also in Westbury.

The Dead & Company show featuring John Mayer made for a cool vibe causing the usually “Dead” Nassau Coliseum to come alive again for at least a couple of nights. “Casey Jones” and “St. Stephen” had the mix of young wannabe Deadheads and the “Deadhead sticker on their Cadillac” crowd dancing in their seats and the general admission floor. The band, led by stalwart original members Bob Weir and their long time drumming tandem, is largely a nostalgic throwback these days but quite the professional outfit largely cashing in on the Grateful Dead legacy. The band sounds great and the crowd is largely joyous in various states of intoxication and income brackets . While the Madison Square Garden shows earlier in the week appeared to be a hot ticket, the secondary market for the two Long Island shows took a beating. Just as when the Dead scheduled two nights at Citifield a couple of summers ago, it would seem that, even in New York, there is a limit to how many Dead shows will be supported, in this particular market anyway.

Little Steven and the Disciples of Soul had canceled the end of their “Summer of Scorcery” tour due to Little Steven having taken ill, leaving just the Beacon Theatre concert, where a DVD was to be filmed, and a Boston date. A giant trailer parked in the rear of the theatre with an enormous Gene Simmons’ like photo of Little Steven affixed to the side, left know doubt that the band is not inclined to sneak in to town. Peter Wolf opened with a too short set snd was the epitome of rock and roll royalty as always. Little Steven is obviously a big Wolf fan as I spied him at a Wolf City Winery gig a couple of years ago watching the show from the VIP seats up top. Little Steven and the Disciples of Soul is an eclectic act with the tremendously overweight Steven up front in bandana and draped in scarves, backed by a large professional band with members embarrassingly dressed as 1970’s movie pimps and an excellent trio of dancing, prancing female soul singers who made the show tolerable. Rumors of a Bruce Springsteen appearance were heightened when a bartender told me that the show would end at 11 no Bruce, or 12 with Bruce. Later on I was told it was happening and that the show would end at 11:15. Peter Wolf joined the band for “Sun City” and the Southside Johnny tunes were cool but, for me, the show was a train wreck. I would’ve left early but from the 3rd row center I hung in there for the Bruce Springsteen appearance that never materialized. This is not an act I would go out of my way to see again.

Styx, Dwight Yoakam, and Paul Anka played the next three nights st the NYCB Theatre at Westbury. Styx snd Yoakum played in the “half round” while Paul Anka made the circular Westbury stage his own, as usual, without the need to rotate as the legendary performer did not need any help working the entire venue and getting up and personal with his mostly mature but exuberant fans.

Styx played its entire latest album before an intermission. A married couple in the first row center in matching Styx shirts sang every word to every song to an album about traveling through space a la Spiders from Mars. I give the band credit for highlighting their new material and the audience was mostly polite before they played the late 1970’s arena hits that still bring in the crowds today. The band looks and sounds great snd come back for an odd second helping show tonight! in Westbury.

I was sitting at home Friday and found six dollar StubHub tickets for Dwight Yoakum so, having nothing else to do that night, I drove down the road on the Wantagh Parkway to see a country legend on the cheap. I sat second row center where the vocals were a little low in the mix with an obviously professional backing band drowning Dwight out just a bit. I did not know many of his tunes but the “Suspicious Minds” encore resonated in my head for a couple of days following the show.

Paul Anka sings a lot of songs you grew up with; both those he recorded for himself and those made famous by the likes of Frank Sinatra, Sammy Davis Jr. and a host of others The Vegas style show highlighted many aspects of Anka’s 60 year career, from riding on the bus with Buddy Holly to “My Way”. I have seen Paul Anka perform on several occasions and his show is always a great evening of entertainment no matter what you’re musical tastes might lean to.

The road goes on forever

Rock on!

GQ

After. Neil Young and Crazy Horse played a pair of historic concerts in Winnipeg this past February that I was fortunate enough to attend despite the polar vortex and 20 below temperatures, Neil and the band reconvened in Colorado to lay down tracks for a new Crazy Horse album

With Frank Sampedro forced into retirement after a freak injury a couple of years back, Nils Lofgren has returned with guitar and tap shoes. The movie chronicling the making of the album “Colorado” is called “Mountaintop”.

This movie documenting the inner workings of the legendary band creating new music in the studio is for die hard fans only. I found it to be fascinating to see how the recorded music is pieced together yet,when completed, the finished product sounds as one cohesive piece. Neil Young runs the show and is a tough taskmaster. The engineer for the project is pushed hard, and is on the ropes at times, but the group preservers and sees themselves to a finished product that ranks as one of the best Neil Young projects in recent years. Many of the songs on this project had surfaced during Neil Young’s most recent solo concerts and his shows with the Promise of the Real but have now been recorded as a decidedly Crazy Horse project.

Neil Young has had many film projects through the years and has a propensity for recording just about everything he does. It is not “Rust Never Sleeps” but “Mountaintop” is an excellent film chronicaling the legendary band members 50 year relationship and their continuing quest to create great music.

There’s more to the picture than meets the eye.

Rock and Roll will never die.

Tonight Bob Seger hits the Madison Square Garden stage one last time as part of his farewell tour. Unlike Elton John and the Eagles who keep returning like a boomerangs to squeeze every last dollar from the New York area, I believe that this is likely Seger’s last appearance with the Silver Bullet Band in New York.

Only time will tell but in the meantime-

Rock on

GQ