Kate Pierson City Winery 2/25/15

The sold out Kate Pierson album release show at City Winery started out SLOW with a forgettable opening act called Sky consisting of a female singer romanticizing Sunday and all of our future demise with a male guitarist who deserved better and at times reminded me of Everybody Knows This is Nowhere era Neil Young on the electric guitar.

An enthusiastic Kate Pierson, who said she was from New Jersey and now lives in Woodstock, said she was going to play her new solo material as it appears on the CD. It took a little bit to take in Kate and the somewhat overly polished group of musicians after the opening act but she hit her stride with, what she referred to as, the somewhat controversial “Mister Sister” which she dedicated to a friend of hers who got sober and moved back with his mother. Kate said that when she called her friend, who starred in Wigstock, his mother answered the telephone and told her in a southern drawl “my son is not a woman”. 

The City Winery show, which Pierson played guitar throughout for the first gigs since the early B-52 days, showed off Kate’s vocal powers and provided for an overall entertaining evening.

Guitars and Microphones

Rock on

GQ

Grateful Dead/January, 1979

Madison Square Garden 1/8/1979
Nassau Coliseum 1/11/1979

I have always liked the Grateful Dead’s music but I would never consider myself to be a “Deadhead”.

The Grateful Dead show is like no other. The entire venue, including the parking lot, is part of the concert experience and the music being performed at times feels like a soundtrack to the seemingly otherworldly antics happening all around you. The hallways were always particularly interesting as there would inevitably be individuals whirling dervish dancing with the music while those who may have mistimed their cosmic enhancers or over-imbibed were shuttled past on stretchers. It is truly a unique communal event complemented by the extended jams of the Grateful Dead. 

 The Grateful Dead 50th anniversary tour will consist of a three night stint at Soldier Field in Chicago this Fourth of July weekend. 

I will not make the trek to Chicago but I have seen Bob Weir on Halloween in Westbury a few years back and I more recently saw Phil Lesh and Friends with Warren Haynes this past summer in Central Park . Phil seemed to be in good spirits, the band sounded great, and the crowd was having a lot of fun. 

Phil Lesh is yet another rock star who is the beneficiary of a liver transplant. 

It was good to see Phil looking healthy and apparently ready for one last go round with the Grateful Dead in July.

I am sure that the Deadheads who will converge on Chicago this summer will have a blast.

What a Long Strange Trip It’s Been 

Rock on 

 GQ

Ted Nugent/Starz Nassau Coliseum 01/01/79

The Motor City Madman invaded the Nassau Coliseum on New Year’s Day, 1979 .

Ted Nugent was the driving force of the band that recorded one of my favorite singles, The Amboy Dukes “Journey to the Center of the Mind”.
The Sunday newspaper would publish the top ten singles of the week and I would check off the ones I owned and plot future record purchases. Even as a youth the rock and roll bug had taken hold of me. I had the rockin’ pneumonia and the boogie woogie flu early on.

I attended the Lenny Kaye Nuggets show at City Winery last year and the band played “Journey to the Center of the Mind” which was one of many great tunes in the Nuggets collection that was compiled by Lenny Kaye who is best known for being the guitarist in the Patti Smith Group. Someone in the Nuggets band asked if Ted was still cool. I’m assuming the crack was made because of Nugent’s Republican politics and his hunting lifestyle.
Is Ted still cool?
Is rock and roll still cool?
Is kick ass guitar playing still cool?
Yes, Ted Nugent is still cool.

Happy New Year indeed!
Double Live Gonzo

GQ

Colin Hay City Winery 02/18/2015

Colin Hay is a funny guy.
Colin Hay is a melancholy guy.
Colin Hay is not thrilled with the state of his career.

Colin Hay’s concert at the City Winery last night was a decidedly mixed bag but thoroughly entertaining.

Mr. Hay opened the show solo acoustic and much self deprecating between song chatter. Colin Hay is a really funny guy and the first part of the show was equal part music and stand up comedy.

After a dramatic lights out after a solo turn, Hay’s band slipped on to the stage to play the bulk of the evening’s music. The band consisted of an excellent acoustic guitar player with classical leanings, a stand up bass player, drummer and a completely distracting back up female singer.

With Hay switching off between two acoustic guitars throughout, the band played his mixed bag of solo work before easing into the crowd pleasing Men at Work favorites.

Colin Hay’s solo selections for the most part revolved around lost love, mortality, and his late father who was referred to a number of times during the show. Hay’s solo work reminded me at times of Sting’s “The Soul Cages” album which was inspired by the passing of Sting’s father.

The bearded Colin Hay was in good voice snd the band’s musicians complimented him perfectly but the female back up singer, who resembled the Jersey Shore’s Snooki, frantically acted out every song on stage and even played the “air flute” on the Men at Work classic “Down Under”.
At times unintentionally hysterical and at other times annoying, she seemed to be having a terrific time providing theatrics to the evening’s otherwise enjoyable musical performance.

Colin Hay finished the show as he started it, alone on stage with acoustic guitar, before bringing out the band one last time to add background vocals to the final encore.

Colin Hay definitely gave the crowd its money’s worth with the 2 1/4 hour concert; his show is well with seeking out as it is definitely an enjoyable night out.

Are You Lookin’ at Me?

Rock on

GQ

Queen Nassau Coliseum 11/19/1978

I took some heat from an acquaintance about my referring to myself as having no “gaydar” in my first Queen blog. It certainly was not meant as a slight to anyone but was merely a dig at myself. The reality is I did not realize that Freddy Mercury was gay until he announced that he was dying of AIDS as it never mattered to me one way or another before then.
When Mercury announced to the world that he was sick it shocked most everyone at the time and the sight of the somewhat emaciated star, who was now a shell of his former self, was sad.

When I was about 24 years old I was working for Chase Manhattan Bank in the retail division and I went to visit my father’s cousin Martin, who at the same time, was working for Chase’s corporate headquarters as a middle manager.
I did not like retail banking so I contacted my father’s cousin for advice on how to navigate the company.
On his invitation, I went to Cousin Martin’s apartment in Brooklyn which was a renovated brownstone; it was a magnificent residence and with him was a woman older than I who may have been some distant relation of mine also. Nothing really came of the meeting career-wise but less than a couple of years later my father told me that Martin was sick and we were going to visit him at the hospital.

Even though my father grew up on Amsterdam Avenue in Manhattan he rarely left the confines of Flushing, Queens however we traveled to a hospital on the east side of Manhattan to see his sick cousin.

Somehow my father had been told before we left home to see him that Martin had contracted the AIDS virus but the gravity of the situation did not become apparent to us until we saw him.

When we arrived at his room, Martin was laying in a hospital bed and there was a young friend at his bedside next to him apparently holding vigil.

Martin appeared to be very weak and I remember that he had some visible sores. My father is a man of few words and I do not think he and Martin had seen each other in years, but Martin was family and there were not a lot of us to support him as we are a small clan.

The AIDS epidemic was in full swing and many may have avoided interacting with its victims and perhaps placing themselves in a seemingly precarious situation with so much still not known at the time.
Many others may have abandoned their loved ones for fear and ignorance.

It felt like a wake and that we were paying our last respects. My father and I stayed only a short time but what I remember most from this visit was that my Dad was non-judgmental and he was not afraid to bring me with him.

Martin did not last long after our visit but I have always been glad that my father took me on that trip to visit a distant relative who was dying from a terrible disease and to offer a few simple words of support and familial kindness.

Freddy Mercury was the ultimate showman; he was flamboyant at a time when David Bowie, Elton John, and Mick Jagger ruled the rock universe. Androgyny in rock and roll was fully in vogue and many of the top rock stars of the day liked to keep the audience guessing as to their sexual orientation. Whether or not a performer was or is gay or bisexual is ultimately immaterial in the big scheme of things as success and longevity in the music business comes down to the quality of the music and live performance that the artist brings to the table.

Queen’s catalog is extraordinary and the band sounds as unique today as when the songs were first released. Queen is not unlike The Beatles in that the band surpassed the production values of other artists of the time and recorded entire albums of all time classic rock and roll music.

The Show Must Go On

GQ

Doobie Brothers/Richard T. Bear Paladium 11/17/78

The Doobie Brothers are another band that I have a renewed appreciation for in the past couple of years.

I have had the good fortune to see the Doobie Brothers, without Michael McDonald, a number of times recently and I saw Michael McDonald perform a “holiday and hits” show at the former Westbury Music Fair this past December.

One tends to forget just how many great songs the Doobie Brothers have in their catalog and how many hit songs are credited to the band; their show is high energy, a lot of fun and is sure to put a smile on your face.

Michael McDonald still has one of the great distinctive voices in rock and roll. I had wanted to see him with Donald Fagan and Boz Scaggs with the Dukes of September somewhat recently but missed them somehow.

I did however have close encounter with Mr. McDonald a couple of years back. I drive livery on the side and I was dispatched to a hotel n Manhattan to pick up a Michael McDonald and take him and his party to LaGuardia Airport. I am sure there are more than a couple of Michael McDonalds in the phone book but when I pulled up to the front of the hotel THE Michael McDonald stepped out with a second guy and away we went.

Seeing McDonald like this reminded me that my buddy Sandy has a photo of Michael and him taken in the hallway at Madison Square Garden after a Bob Seger show where Bruce Springsteen showed up and played a tune with Seger. Eagle-eye Sandy spotted McDonald blending in with the crowd trying to exit inconspicuously with a young lady who was apparently his daughter. Sandy swooped in and placed a bear hug clutch around Michael and he had his son Ben quickly take the photo; Michael was going nowhere until this photo was taken (or the ransom was paid) and this meeting of the two legends was documented for posterity.

During our drive to the airport I did not bother the two musicians as I maintained my professional demeanor throughout (of course) but I do admit to eavesdropping a bit after Boz Scaggs was mentioned in passing. Mr. McDonald seemed like a nice guy (and yes he does tip).

Takin’ It to the Streets

Rock on

GQ

Heart/Walter Egan The Paladium 10/21/78

In the past year I have begun to think that collectively we have taken the band Heart and their music for granted. It seems as though that their music has been on the radio forever and their songs have been classic rock radio staples for as long as there has been a “classic rock” radio format.

Somehow it has been mostly forgotten what a groundbreaking act Heart was when they arrived. The song “Magic Man” was a massive hit; it was polished, and unique, and it rocked. A steady stream of hits followed and Heart was a true rock and roll band led on stage by Ann and Nancy Wilson who brought it every night.

Heart’s induction into the Rock and Roll Hall of Fame seemed to give the band a second wind and they hit the road hard with the public relations boost that comes with the HOF induction. The music is still great, Ann is in great voice, and the band still rocks.

Crazy on You

Rock on

GQ